Rt 381

Route 381 - through Rolling Rock Farms.  In fall, no place other place I'd rather be.  So I don't live there, but every fall it is worth the trip back.  This is a very neat piece of road - lots of line here.  The road, road paint, fence lines and trees are all very interesting.  When I first posted this shot, I liked with with more saturated colors.  I'm starting to dial back a bit of the saturation.  I'm still against a 'true' photo shot and lean more toward an 'enhanced' shot - but I'm moving a bit.  The one characteristic of this shot that isn't where I'd like it to be is the sky.  It is so flat, it is washing out part of the tree line.  Some time I will get back when it all falls (get it - fall) together.

1/60 f/5.6
Auto
ISO 200
Focal length 32 mm (48 mm for 35mm film)

Crisp Point Lighthouse - 2009

This is one of my favorites of Crisp Point.  The whole area is a great place to take photos, not only of the lighthouse but of all the natural landscape.  The area is not littered with lots of traffic - you just don't come across this place.  It is a destination.  And even with the best of directions, good luck.  A GPS helps.

In the foreground are the remains of a pier.  What stories this pier could tell! 

Now to the photo stuff.  This is one of the first photos I really had to THINK about what the final image would look like.  Depth of field is everything here - as well as the angle of the shot.  To say I was grounded would not be stretch of the imagination.  To a certain extent I was very lucky.  It was a mostly cloudy day and for about 30 minutes the sky cleared a bit to what is shown here.

1/400 f/10
Auto
ISO 200
Focal length 18 mm (27 mm for 35mm film)

Sailboat Row

This is another photo lost during the blog changes.  This one hangs over the home fireplace - I like it that much.  In the final days of February last year, we took a trip to the UP.  I wanted to see ICE.  And I was not disappointed.  We stopped in Mackinaw City on the way to the Soo.  It was snowing - so as with a lot of my winter shots there is no sky.  When we got up there all the worker's cars were gone from this area and this sight just got to me.  In one of the rare moments of thought process, I had enough focal length to keep the masts straight.  This time around, it was not a mistake.  A year ago - I took this with an AUTO setting.  These days, the set up would be much different.  And then again, maybe the numbers would be the same.  Great depth of field - that could have been a disaster as well.  All in all - a good AUTO shot.

1/250 f/8
AUTO
ISO 100
Focal length 35 mm (52 mm for 35mm film)

CSX Car

Way back when - before I started this the third blog - I had published this photo.  This photo was taken in August of 2008 while on the Somerset County Covered Bridge tour.  Between the Pack Saddle Bridge and the Baronville Bridge is an area where trains have to stop while waiting for another engine to arrive to help them up the next series of grades.  (I know this because I talked with the engineer of this train.)  In 2008 I wasn't sure of my photos - or what I was trying to tell with them.  Lucky I got this one!

This photo means a lot to me for a few reasons.  I am not a train person - but being that close to that much metal is pretty amazing.  I have a few train friends who are borderline fanatical about the subject and have turned their basements into shrines to prove it.  I can see why they are who they are.

One of the reasons I like this shot is the opening door on the front of the engine car.  It is very dark in there, yet I can pull out the interior well enough to read the stenciled message.  This is the first photo I worked with where I could get the trees along the track to look the way I liked them.  With this photo, I started to see photos differently.

The other reason I liked this shot is it taught me one of the first lessons about the subject of a photo setting.  I entered this shot as an after-thought in one of my club competitions and it scored well.  I was amazed - partially because the other shots I entered that I liked didn't do so well and this one did.  When were were talking about the shots after the judging, I found it it did well because there is no guessing what the subject is and the environment around it is nice, but not threatening.  I practice this when I can - but.........

This shot was taken with the camera on full auto - from settings to focus.  The most exciting science to this shot was I probably used a polarizer filter.  Now, I shoot most new shots with Aperture priority to control the depth of field and auto-focus off to better 'see' what I'm doing.  (All the other times, just point and shoot!)

1/200 f/5.6
Auto
ISO 125
Focal length 75 mm (112 mm for 35mm film)

Next Steps..............

As this hobby is moving along, I'm moving (slowly) to a more complete product.  I want to move on from DIGITAL presentation and smaller print formats to PRINT in a larger format presentation.

I am passing the year mark since Channer turned me on to HDR and that leap has really provided a hobby that entertains me.  There are so many great photographers - I really wanted to find a niche that I liked and was extremely comfortable with.  I'm OK with some saying it is not real photography I am doing with the blending of light.  I'm happy with ART.

I am continually inspired by my association with the Flint Lensmen Camera Club and have learned much from them.  (Even Bob....)  The members are all very diverse with a wealth of experiences and different takes on what is good, bad and ugly.  Most of all, although there are a few hecklers in the rear, no one has tried to change my style - just hints on how to be better technically.

So the next step to 'building' a final product is the presentation.  I didn't think much of this aspect until talking with some of the club members.  A few meetings have centered on the art of mat cutting.  So I bit and bought a mid-range model.  I've been working with it for two weeks - and aside from a few mistakes the results are fairly good.

For now - it is an exponential gift.  Another layer to my ART.

These are my first three efforts.  

The first effort is a black mat on a B&W (Algoma Steel) photo.  It is fairly idiot-proof.  I'm sure I still have a lot to learn on what colors to mat a photo with - what adds to the final product.

The next effort is a photo of seven birds on a rail that really doesn't translate well into a 'standard' photo size.  With the mat, I can size the photo to any that best enhances the photo.  That was an unexpected gift.

The third effort is a double mat.  This photo of the Rockland Breakwater light in Maine is a real favorite.  My dilemma was what color to go with - either a green or red.  Went with green.  Worked great.

 Still have a long way to go - but this is fun.

10th Street Bridge

I've been away from Pittsburgh for so long, I'm not sure why they paint the bridges yellow.  At one point, the bridges were a blueish-purple.  There may be a few that still sport that color.  But I like the yellow.  I'd like a better color sky.  There was enough low clouds in an otherwise flat sky that I could work with.  It will be good to get back when the weather is nicer.

1/80 f/16
Aperture Priority
ISO 400
Focal length 20 mm (30 mm for 35mm film)

Seven on a Rail

While walking around Pittsburgh (not really around - we were heading for an ice cream parlor...) I saw a number of these bird sitting around on the fences and posts.  And then I saw this seven.  Being Super Bowl week - I saw an interior line. There is the Center, Guards, Tackles, one tight end and a slot receiver.  Made sense to me.

This photo is interesting to me on many levels.  The wire and the top rail are actually level.  The building blocks are a bit off due to the angle of the shot.  One of the unknowns is that the sky was so crappy that I was happy to use the wall as it was.  I also like the multiple shades of brown on the back of the birds.

This is also first attempt at a photo in a non-standard size.  I have an old 3 4x6 photo frame that I used for this.  I cut a mat - still made some rookie mistakes but... - and put it all together.  Looks good.

1/125 f/5.6
Auto
ISO 360
Focal length 130 mm (195 mm for 35mm film)

Under the 10th Street Bridge

Trip home to Pittsburgh offered a great opportunity to shoot subjects that are new to me.  No wilderness, no ice formations, no lighthouses, all new STUFF.  I have seen some interesting HDR shots of bridge undersides.  Just had to get my own.  In a perfect world - there would have been blue skies with a wisp of a cloud or two.  But this is Pittsburgh - in February.  I'm happy it wasn't snowing and windy!

This is a true HDR shot.  I'm getting better at hand holding the camera in these situations.  Still not comfortable lugging the tri-pod around...........  This brings out the best of a HDR - light on the underside.  Not sure this is suitable for much more than a screen saver - but it does give me high hopes to get this is a better light in October.

1/15, 1/25, 1/13   f/16
Aperture Priority
ISO 400
Focal length 24 mm (36 mm for 35mm film)