Winter Fence

Seems like the worst of weather provides the most interesting photo opportunities.  This is the neighbor's fence along our back yard.  Two days after the storm - and some snow - the clouds cleared and we had lots of great sunlight.  The temps remained (way) below freezing and there was no wind, so this came together very nicely.  I used some over sharpening here to bring out the reflected light in the snow and ice crystals.

1/500, 1/2000, 1/125

F/25

Aperture Priority

Focal Length 50 mm

35 mm Focal Length 75 mm

Write your own caption.....

 No electrical outage here.  The recent ice storm cause a lot of damage, some more obvious than others.  but of all the damage I saw today, this one was one I could laugh at.  This is at the Richland Park Disc Golf Course.  I was trying to get some good ice photos in the Richland park complex, but most of it was closed.  This one area was open and when I saw this, just couldn't help it.  There are no dead bodies in the crushed stall.

1/200, 1/800, 1/50

f/8

Aperture Priority

ISO 400

Focal Length 22 mm

(35 mm) Focal Length 33 mm

Bird House in Ice

We had ice storm last night - about half an inch on everything.  This is the home made birdhouse in the front of the house, just outside the office window.  I took a few photos of the trees and the chain link fence.

This is a three photo merge with On One post processing.  I have move from three photo merges to create HDR because the software has improved so much, but with Lightroom Plugin to Photomatix it makes the process a lot easier and quicker.  As to the On One (Perfect Suite 8) plug in to Lightroom - I have a bit more to learn.  It was much easier to get out of LR and then add the finishing touches with PS8.

1/60, 1/250, 1/1000
f/5.0
Aperture Priority
ISO 400
Focal length 70 mm

I'm Back!

Suffice to say I've been away for some time.  Writers would call it writers block, students would call it eternal spring break and I would call it a combination of the two.

Think I'm back.  Made some improvements on the hardware side.  Move to 64 bit platform - added some memory.  Moved to Lightroom 5 and On One for post processing - away from Adobe Elements and Topaz.

I'm really PO'd at Adobe Elements because their lack of customer appreciation.  To upgrade is to buy a new version for full price.  I'm on 4th upgrade - having to pay full each time.  Enough of that stuff.  Topaz was collateral damage there as well, but my On One package was roughly half the cost of the Topaz package.

I've upgraded to Photomatix 5.  I'm still a big fan of HDR but there are now better ways to get the effect without the halo.  The HDR soft folks are really good - great upgrade plans and are not trying to pry you from your last cent.  I've found their upgrade policies very friendly.

It's good to be back.....

Algoma (Essar) Steel II

This is the Algoma Steel area on the Canadian side of the Soo.  This is one of my favorite subjects to shoot when I'm in the area.  Lots going on in these photos.  And it always reminds me of the Pittsburgh days when I was a kid.  The original shot isn't nearly this dark, but I think any shot I do of a steel environment will be dark - because that is just the way I remember the J&L buildings.

I've been looking for a way to return the 'crispness' to my shots.  During the HDR processing, the shots will soften a bit.  Any attempts to reduce the halo will soften it even more.  I still like the processing, but I've always thought it could be better.

I've found a way to return some of the crispness without reintroducing the halo.

1/100 f/9
Aperture Priority
ISO 400
Focal length 38 mm (57 mm for 35mm film)

Lake Huron Rocks

Between St. Ignace and Detour Village there are a number of roadside parks where you can walk to the beach.  At one of the areas these rocks were just off shore.  The water is so clear - no polarizer needed to get at the rocks just under the surface.  The surface is so calm, but with definition.  The sky has some character as well.

1/500 f/14
Aperture Priority
ISO 400
Focal length 35 mm (52 mm for 35mm film)

Lake Reflection

As I look at Black and White variations of some photos, I am beginning to see many possibilities.  The colorized version of this photo is good, but this one is - well - really good.  and the print is even better!  This is sunset behind a small dammed lake on Drummond Island.  I took a number of 'real' HDR photos - and this is one of them.  Depending on the map used, this is either at the end of DAM or DAMIT road.  (I've noticed that most maps differ on the road naming conventions on the island.) 

1/30, 1/125, 1/8   f/8
Aperture Priority
ISO 400
Focal length 20 mm (30 mm for 35mm film)

Rock at the Mac

Going to the UP for the weekend.  And always have to stop in Mackinaw City.  And always have to take a shot or five of the MAC.  On our way up, the weather was just great.  And for a Michigan spring this is a real bonus!  I was walking along the shore to the bridge and saw this larger rock.  This was fairly easy to picture in my head.  When the light is there - it is easy.

1/640 f/14
Aperture Priority
ISO 400
Focal length 18 mm (24 mm for 35mm film)

Bottle Rocket

This is one of my fireworks photos from last summer of a bottle rocket taking to flight.  I like the silhouette of the (IC Lite Beer) bottle.  This was a fun project.  For fun, I did a B&W version.  That turned out really well.

Rt 381

Route 381 - through Rolling Rock Farms.  In fall, no place other place I'd rather be.  So I don't live there, but every fall it is worth the trip back.  This is a very neat piece of road - lots of line here.  The road, road paint, fence lines and trees are all very interesting.  When I first posted this shot, I liked with with more saturated colors.  I'm starting to dial back a bit of the saturation.  I'm still against a 'true' photo shot and lean more toward an 'enhanced' shot - but I'm moving a bit.  The one characteristic of this shot that isn't where I'd like it to be is the sky.  It is so flat, it is washing out part of the tree line.  Some time I will get back when it all falls (get it - fall) together.

1/60 f/5.6
Auto
ISO 200
Focal length 32 mm (48 mm for 35mm film)

Crisp Point Lighthouse - 2009

This is one of my favorites of Crisp Point.  The whole area is a great place to take photos, not only of the lighthouse but of all the natural landscape.  The area is not littered with lots of traffic - you just don't come across this place.  It is a destination.  And even with the best of directions, good luck.  A GPS helps.

In the foreground are the remains of a pier.  What stories this pier could tell! 

Now to the photo stuff.  This is one of the first photos I really had to THINK about what the final image would look like.  Depth of field is everything here - as well as the angle of the shot.  To say I was grounded would not be stretch of the imagination.  To a certain extent I was very lucky.  It was a mostly cloudy day and for about 30 minutes the sky cleared a bit to what is shown here.

1/400 f/10
Auto
ISO 200
Focal length 18 mm (27 mm for 35mm film)

Sailboat Row

This is another photo lost during the blog changes.  This one hangs over the home fireplace - I like it that much.  In the final days of February last year, we took a trip to the UP.  I wanted to see ICE.  And I was not disappointed.  We stopped in Mackinaw City on the way to the Soo.  It was snowing - so as with a lot of my winter shots there is no sky.  When we got up there all the worker's cars were gone from this area and this sight just got to me.  In one of the rare moments of thought process, I had enough focal length to keep the masts straight.  This time around, it was not a mistake.  A year ago - I took this with an AUTO setting.  These days, the set up would be much different.  And then again, maybe the numbers would be the same.  Great depth of field - that could have been a disaster as well.  All in all - a good AUTO shot.

1/250 f/8
AUTO
ISO 100
Focal length 35 mm (52 mm for 35mm film)

CSX Car

Way back when - before I started this the third blog - I had published this photo.  This photo was taken in August of 2008 while on the Somerset County Covered Bridge tour.  Between the Pack Saddle Bridge and the Baronville Bridge is an area where trains have to stop while waiting for another engine to arrive to help them up the next series of grades.  (I know this because I talked with the engineer of this train.)  In 2008 I wasn't sure of my photos - or what I was trying to tell with them.  Lucky I got this one!

This photo means a lot to me for a few reasons.  I am not a train person - but being that close to that much metal is pretty amazing.  I have a few train friends who are borderline fanatical about the subject and have turned their basements into shrines to prove it.  I can see why they are who they are.

One of the reasons I like this shot is the opening door on the front of the engine car.  It is very dark in there, yet I can pull out the interior well enough to read the stenciled message.  This is the first photo I worked with where I could get the trees along the track to look the way I liked them.  With this photo, I started to see photos differently.

The other reason I liked this shot is it taught me one of the first lessons about the subject of a photo setting.  I entered this shot as an after-thought in one of my club competitions and it scored well.  I was amazed - partially because the other shots I entered that I liked didn't do so well and this one did.  When were were talking about the shots after the judging, I found it it did well because there is no guessing what the subject is and the environment around it is nice, but not threatening.  I practice this when I can - but.........

This shot was taken with the camera on full auto - from settings to focus.  The most exciting science to this shot was I probably used a polarizer filter.  Now, I shoot most new shots with Aperture priority to control the depth of field and auto-focus off to better 'see' what I'm doing.  (All the other times, just point and shoot!)

1/200 f/5.6
Auto
ISO 125
Focal length 75 mm (112 mm for 35mm film)

Next Steps..............

As this hobby is moving along, I'm moving (slowly) to a more complete product.  I want to move on from DIGITAL presentation and smaller print formats to PRINT in a larger format presentation.

I am passing the year mark since Channer turned me on to HDR and that leap has really provided a hobby that entertains me.  There are so many great photographers - I really wanted to find a niche that I liked and was extremely comfortable with.  I'm OK with some saying it is not real photography I am doing with the blending of light.  I'm happy with ART.

I am continually inspired by my association with the Flint Lensmen Camera Club and have learned much from them.  (Even Bob....)  The members are all very diverse with a wealth of experiences and different takes on what is good, bad and ugly.  Most of all, although there are a few hecklers in the rear, no one has tried to change my style - just hints on how to be better technically.

So the next step to 'building' a final product is the presentation.  I didn't think much of this aspect until talking with some of the club members.  A few meetings have centered on the art of mat cutting.  So I bit and bought a mid-range model.  I've been working with it for two weeks - and aside from a few mistakes the results are fairly good.

For now - it is an exponential gift.  Another layer to my ART.

These are my first three efforts.  

The first effort is a black mat on a B&W (Algoma Steel) photo.  It is fairly idiot-proof.  I'm sure I still have a lot to learn on what colors to mat a photo with - what adds to the final product.

The next effort is a photo of seven birds on a rail that really doesn't translate well into a 'standard' photo size.  With the mat, I can size the photo to any that best enhances the photo.  That was an unexpected gift.

The third effort is a double mat.  This photo of the Rockland Breakwater light in Maine is a real favorite.  My dilemma was what color to go with - either a green or red.  Went with green.  Worked great.

 Still have a long way to go - but this is fun.

10th Street Bridge

I've been away from Pittsburgh for so long, I'm not sure why they paint the bridges yellow.  At one point, the bridges were a blueish-purple.  There may be a few that still sport that color.  But I like the yellow.  I'd like a better color sky.  There was enough low clouds in an otherwise flat sky that I could work with.  It will be good to get back when the weather is nicer.

1/80 f/16
Aperture Priority
ISO 400
Focal length 20 mm (30 mm for 35mm film)

Seven on a Rail

While walking around Pittsburgh (not really around - we were heading for an ice cream parlor...) I saw a number of these bird sitting around on the fences and posts.  And then I saw this seven.  Being Super Bowl week - I saw an interior line. There is the Center, Guards, Tackles, one tight end and a slot receiver.  Made sense to me.

This photo is interesting to me on many levels.  The wire and the top rail are actually level.  The building blocks are a bit off due to the angle of the shot.  One of the unknowns is that the sky was so crappy that I was happy to use the wall as it was.  I also like the multiple shades of brown on the back of the birds.

This is also first attempt at a photo in a non-standard size.  I have an old 3 4x6 photo frame that I used for this.  I cut a mat - still made some rookie mistakes but... - and put it all together.  Looks good.

1/125 f/5.6
Auto
ISO 360
Focal length 130 mm (195 mm for 35mm film)

Under the 10th Street Bridge

Trip home to Pittsburgh offered a great opportunity to shoot subjects that are new to me.  No wilderness, no ice formations, no lighthouses, all new STUFF.  I have seen some interesting HDR shots of bridge undersides.  Just had to get my own.  In a perfect world - there would have been blue skies with a wisp of a cloud or two.  But this is Pittsburgh - in February.  I'm happy it wasn't snowing and windy!

This is a true HDR shot.  I'm getting better at hand holding the camera in these situations.  Still not comfortable lugging the tri-pod around...........  This brings out the best of a HDR - light on the underside.  Not sure this is suitable for much more than a screen saver - but it does give me high hopes to get this is a better light in October.

1/15, 1/25, 1/13   f/16
Aperture Priority
ISO 400
Focal length 24 mm (36 mm for 35mm film)

Flint River Walking Bridge

This is a walking bridge across the Flint River in a county park.  The area is really nice and a favorite photo shoot destination.  With the recent snow, the bridge is looking really nice.  Not many people around - in fact none.  The park is closed to traffic although snowmobiles are allowed.  So it was a nice hike out here.

We finally have some blue sky - first time we've seen the sun in a week.  There are a lot of small trees around - which takes away from the scene to me.  I thought I'd post this shot because of the sun - pretty bright.  I had some different angles but I like the sun position and the reflections on the glass.  I'll probably enter this in a club competition - just to get a discussion going.

1/100, 1/320
Aperture Priority
ISO 400 f/5.6
Focal length 70 mm (105 mm for 35mm film)

South Haven Light in January

This is the South Haven Light - in January.  Lots of ice build up here - and it was snowing heavily.  The lake effect was producing lots of squalls.  And it was cold.  On this trip i learned a lot about shutter speed and what it does with the snow patterns.  This weekend, the snow was horizontal.  I had to keep the speed down a bit because I wanted to keep the DOF a large as possible.  So the snow isn't showing the travel pattern - but they are large.

1/320 f/16
Aperture Priority
ISO 400
Focal length 130 mm (195 mm for 35mm film)

St. Joseph Light in January

It was COLD.  Really COLD.  Last year I was out on the west coast of Michigan in late March and at that time all the ice was gone.  I think it is still growing at this time of year.  Unfortunately it was snowing all the time - I'd say lake effect was in full motion.  It is really tough to separate the sky and ice and snow.  This shot cleaned up well.  The front range light is covered/caked in ice - and that was the point of the day.  The shot may be on the dark side, but adding any more flattens everything.  And in a weird coincidence, this light is actually on the right side of the histogram!

1/320 f/16
Aperture Priority
ISO 400
Focal length 170 mm (255 mm for 35mm film)